Delivering a thick layer of melodic icing on top of the complete samba sound is the agogo bell. Played with a stick in one hand and the bell in the other, the agogo bell is a two, three or four-toned bell that creates  percussive melodies that dance over the top of the sound of the drums.

The agogo is one of the less-technical instruments to play, and this makes it the ideal place to start for new players. Being less technical should not be confused with dull or boring though. The agogo can rock as hard as any other instrument in the bateria, and especially with a four-toned agogo, the potential for creating exciting melodic patterns and fills is practically limitless.

The agogo is another key element in the sound of a bateria that distinguishes it from other groups and helps to define their unique sound. The agogo section in the bateria usually plays set repeating patterns for each part of the samba, and may add extra variation on the breaks. When played solo, there is some room for improvisation on the agogo.

As with the tamborim, the agogo is a very portable instrument and the players are more free to dance and move to the music while they play.

 

Here's a close up video of the agogo section in Imperio Serrano, the school that pioneered the use of the four-tone agogo bell.

 


 

 

How to Hold the Agogo

Assuming you're right handed, hold the agogo bell in the left hand with your forefinger and thumb wrapping slightly around the base of the bells. If the bells are very loud and "ringy", you can dampen them slightly by gripping them further up the bell. Also having a grip around the bells allows you to squeeze and click the bells together for a different sound. Likewise, if your bells are quiet or don't ring, they can be held just by the bar that connects them together so you get the maximum volume.

Hold the stick in your right hand by gripping between your thumb and forefinger. The rest of your fingers can wrap around the stick for extra control. Your grip shouldn't have to be too tight, and the stick should be able to pivot slightly. Most of the striking action comes from the wrist with only minimal input from the forearm. If you're using your whole forearm to hit the bells, you'll most likely end up with a very tired arm and battered bells.

 


Some Famous Patterns for the Agogo

Once again here is Michael de Miranda demonstrating some famous patterns for the agogo bells. When we play Maracatu, we also use the exact same pattern that Michael demonstrates.

 

And here is the link for variety of enredo de samba pattern video for 4 tune Agogo.

 https://www.youtube.com/user/amalialino/videos